Market share redraw · 2 days · from £180
Leeds archive desk · Print-first data visuals
Charts That Survive Press Week.
What The Chart makes accurate, attractive chart work for trade magazines: data redraws, evidence-led infographics, maps, specification tables and the tidy little explainers that keep a feature page honest.
Compliance explainer · 5 days · source checked
Regional plant map · 4 days · print and web crops
Specification table · house style matched
Implementation timeline · captioned for a double-page spread
What we make
Magazine Graphics With Deadlines Attached.
Single Chart Redraw
Bar, line, stacked, pie replacement or small multiples from supplied data. Built to your column width and house palette.
- Turnaround
- Usually 2 working days
- Starts
- £180 to £260 + VAT
Half-page Infographic
Process diagram, buyer journey, product comparison or compact explainer for a feature that needs structure.
- Turnaround
- 4 to 6 working days
- Starts
- £420 to £650 + VAT
Full-page Data Feature
Research tidy-up, visual hierarchy, captions, source notes and print artwork for a full editorial page.
- Turnaround
- 7 to 10 working days
- Starts
- £850 to £1,450 + VAT
Issue Data Package
Six to ten charts for one trade magazine issue, including a planning pass on data condition and repeats.
- Turnaround
- Agreed around flatplan
- Starts
- £1,200 to £2,400 + VAT
For editors on deadline
Send The Story, The Sheet And The Size.
What to send
What comes back
Press-week corrections
Recent shelves
Anonymised Crops From The Studio Shelf.
Owner note
Mara On Quiet Charts.
I founded What The Chart in 2015 after nine years laying out machinery, logistics and healthcare trade titles. I spent enough years inside Yorkshire publishing offices to know that a trade magazine chart has a different job from a conference slide. It has to sit beside a dealer quote, a product photograph and half a page of careful copy without elbowing any of them out of the way. The best ones make the reader trust the page a little more. They show where the number came from, let the axis behave itself, make the small print legible, and avoid the temptation to turn every percentage point into theatre. If a production editor can drop the artwork into an 188mm text column and still sleep on press night, I count that as good design.
See how an issue moves through the studio